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San Petronio : ウィキペディア英語版
San Petronio Basilica

The Basilica of San Petronio is the main church of Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. It is the fifteenth largest church in the world, 132 metres long and 66 metres wide, while the vault reaches 45 metres inside and 51 metres in the facade.
The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. The construction was a communal project of Bologna, not of the bishops: the property was a symbol of communal power that was not transferred from the city to the diocese until 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
==Architecture==

Following a council decree of 1388, the first stone of construction was laid June 7, 1390, when the town council entrusted Antonio di Vincenzo with raising a Gothic cathedral. In order to make room for this monumental construction, the adjacent Curia of Sancti Ambrosii was demolished, together with the majority of one of the city’s burgs, including at least eight churches and towers. Works lasted for several centuries: after the completion of the first version of the facade, in 1393 the first pair of side chapels were begun. The series were completed only in 1479.
However, in 1514 Arduino degli Arriguzzi proposed a revised plan in the form of a Latin cross with the intent to outdo even Saint Peter's Basilica of Rome, the greatest church of the Western Christian world even in its ancient version. According to tradition, Pope Pius IV halted such a majestic project.
The facing of the main facade remains unfinished: many architects (notably Baldassarre Peruzzi, Vignola, Andrea Palladio and Alberto Alberti) were commissioned to propose solutions for it, but a definitive one was never found. Jacopo della Quercia of Siena enriched the main doorway with sculptures (''illustrated, left'') and two new small flanking doorways, with subjects taken from the Old Testament, forming a traditional prelude to the new dispensation that is represented by the basilica itself. The heroic nudes of Adam and other figures in the rectangular bas-relief panels were an inspiration to artists of the Renaissance.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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